Photoshop’s challenges with focus, pt. 1

You can tell the story of Mac OS via the story of its settings, and the same is likely true of Photoshop.

Recently, spelunking in the preferences of Photoshop 2025, I found this extremely curious thing:

To transcribe:

Focus mode limits the appearance of certain optional user interface messages so that you can use Photoshop with fewer interruptions.

With this option enabled:

  • The Welcome screen will not include “what’s new” feature descriptions
  • Blue in-product alerts promoting discovery and use of certain features will be suppressed
  • What’s New will not auto start when Photoshop is launched
  • The color mode preference will be auto set to “Neutral Color Mode”

The three first options should be self explanatory. Neutral Color Mode is sort of the “graphite” option of Photoshop’s UI where the (already rare?) accented blue elements become white instead.

As much as I’ll always applaud a piece of software working on annoying you less, this is all so very strange. I don’t mean that the last option seems unrelated, and the first and third one kind of mutually exclusive… but just the very idea of shoving it in as an opt-in in the last tab of settings, under “technology previews”, and asking people for feedback feels peculiar to me.

Not to spoil the outcome, but even this “technology preview” is completely gone in the updated Photoshop 2026. I wonder if this is fallout from a mangled launch (even for those few who I imagined turned it on, the option didn’t live up to its promise), but also perhaps a political fight inside Adobe between product and growth teams? I bet we’ll never know.

I do not personally have a grand unified theory of how to explain things or announce features in products because it’s so situational, and I understand that especially Photoshop given its age might be the hardest difficulty level. I’d personally prefer to receive announcements of new features over email so I can read them at my leisure, and with each new thing or change linked to a playground that would allow me to experience it in the best way – but I can’t say with any certainty that this would work for everyone.

But I would expect people on the Photoshop team to have more experience here, and this focus mode approach just feels a bit… naïve to me. My two warm takes: 1. People aren’t generally as frustrated with how features are announced, but with what features are. 2. Why wouldn’t everyone deserve the gift of focus?

“These small, repeated experiences shape us more than we like to admit.”

Many people already linked to Terry Godier’s thoughtful essay about email and RSS and the dangers of skeuomorphism by default:

Email is where the metaphor made its jump from atoms to bits. “Inbox” was borrowed legitimacy. It sounded like that wooden tray, so it inherited its psychology. But the wooden tray had a constraint: physical space. A desk could only hold so much. The digital inbox had no bottom. Still, mostly real obligations. Humans writing to you, expecting responses.

This all resonated me, although only to a point. I long stopped paying attention to those unread counters in Gmail and even though I know they exist, they feel wholly meaningless. And I personally would prefer my RSS reader to work more like email, because worrying that I cannot catch up if I wait too long and old entries get recycled is actually adding stress for me.

But I’m thankful for someone else pushing back on the barrage of red dots and fake urgency, and just thinking about it all is worthwhile. I’m very open to the idea of building something that eschews numbers to begin with, and for trying different operating models. (I deleted Threads from my phone after it was pushing me toward the algorithmic timeline filled with outrage, which was detrimental to my mental health.) I could even imagine choosing different RSS feeds to have different rules – this one “cannot miss,” the other one “casual.”

I also want to talk about the essay’s presentation.

The site makes heavy use of scroll effects. Okay, heavy subdued use, but like most of these, this is presentational rather than semantic. In this story at least, it feels a bit more thoughtful and it does feel like it enhances the experience and atmosphere, starting with the ticking number at the very top.

Yet, there are challenges. First, it does seem like there’s a lot of subtle movement going on and at some point that becomes a distraction. Also, I don’t know if it’s a bug or a particular stylistic choice, but things do not reveal themselves until they are almost off the screen. As an example, this is not a screenshot in the middle of animation – this is the page in a resting state, where the bottom is impossible to read:

This property, combined with the fact that all these are always reversible (something that even the recent Death to Scroll Fade page that ridiculed these avoided) makes the essay fiddly and harder to read than it needs to be.

To author’s credit, there is an alternative static version provided and linked to at the very top. But that version is also styled differently, and has more of a “terminal” look.

Thinking out loud and building a set of principles out of these observations, I would personally do it this way:

  • a static version should be stylistically indistinguishable from the dynamic version
  • ideally, there would be an easily accessible switch between motion/no-motion, similarly to how some sites allow you to switch to dark/​light theme regardless of where you are in the story
  • if the user specifies “prefer reduced motion” in accessibility settings, a static version should kick in automatically
  • make the text effects finish as they scroll in, continuing the momentum on their own – don’t make them stop in the middle
  • unless the animation is particularly important or gimmicky (by the way: I love a good gimmick!), going back and forward again should not replay it
Feb 9, 2026

“I do not want to tell you about my recent experience.”

On Mastodon, Hendrik Weimer posted 5 most boosted Fediverse posts of 2025. The numbers look kind of low, but the author explains the methodology below.

At any rate, two of the 5 posts have to do with our trust in software.

Number 1 from Max Leibman:

No, I do not want to install your app.
No, I do not want that app to run on startup.
No, I do not want that app shortcut on my desktop.
No, I do not want to subscribe to your newsletter.
No, I do not want your site to send me notifications.
No, I do not want to tell you about my recent experience.
No, I do not want to sign up for an account.
No, I do not want to sign up using a different service and let the two of you know about each other.
No, I do not want to sign in for a more personalized experience.
No, I do not want to allow you to read my contacts.
No, I do not want you to scan my content.
No, I do not want you to track me.
No, I do not want to click “Later” or “Not now” when what I mean is NO.

Number 5 from JA Westenberg:

RSS never tracked you.
Email never throttled you.
Blogs never begged for dopamine.
The old web wasn’t perfect.
But it was yours.

“Distinct absence of anything that takes away screen real-estate”

Neil Panchal writing in 2020 about a cool little page called diskprices.com:

The performance of this website is stellar. It loads almost instantly. And the list (although it’s not sortable) gets the job done, it is sorted by price already which is the most important attribute.

Diskprices.com deserves the UI/UX award of the decade. We’ve lost our ability to design user interfaces laser-focused on the user. Instead, we have purple gradients, scroll jacking, responsive bullshit, emojis, animations, and many other things designers do today. The utilitarian approach of Diskprices.com is refreshing, although the contemporary designers cast it off as ‘brutalist design’, thereby marking it as a statement of fashion.

But both the creators of the page and Panchal might be getting this wrong:

Do you need a graphic designer?
No. This site is designed to maximize information density, accessibility, and performance. More whitespace, colors, and icons won’t help.

I think this is incorrect. The creator of the page is a graphic designer, that just happens to be the perfect graphic designer for the job.

“Intentional pagination is progress with awareness”

I stumbled upon this small page about friction by Carl Barenbrug. I found myself vehemently disagreeing with one example listed; I don’t think Undo Send is an example of friction, as to me it actually feels like the exact opposite (“Are you sure you want to send this email?” dialog box would be friction – just like the last example Barenbrug showed).

But this paused me in my tracks:

“Intentional pagination instead of infinite scrolling is progress with awareness.”

It made me realize that the only implementation of infinite scrolling I know is basically pretending the page has already been there the whole time… if it’s done well, and if you move slow enough, and if you don’t pay attention to the scrollbar, it really feels like the page goes on and on forever.

But… it doesn’t have to be that way. You could turn off the smoke or hide some of the mirrors. You could uncouple the gesture from what follows. You could add milestones (in the traditional sense of the word) after every X results. You could make the scrollbar react differently. Instead of frictionless scroll, you could force the user to bounce off of a bottom of the page in a similar vein as pull-to-refresh forces them to bounce off of its top.

I’m curious now. Did anyone ever experiment with infinite scrolling that feels… closer to pagination?